"The work raises questions about the body, the sensorial potentialities, and their limits, and establishes the hypothesis of an unusual tactile and bodily language as a means of communication able to approach universality and naturalness, by questioning its possible implications in terms of influence on the person and the community. 

The artist looks at physicality in the possible expansion of sensoriality and reflects on how methods of communication necessarily influence the formation of the structure of the self, culture, and lifestyle. 

The stratification of semantic levels, the perceptual displacement in decoding the sequences of the nine squares in which the artist breaks up the screen area, force the viewer to engage in an unusual mode of reading, for which he is not yet trained, to coordinate the multiple visual and auditory impulses, including the codes of the silent sign language and the meaning of the action of the protagonists, who seem to test each other, looking for an alternative contact and unconventional forms of interaction and knowledge."

Sonia Arata (director/curator, Red Stamp Art Gallery)

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